Fall 2016 in Three Acts: The Color Purple. Hamilton. Allegiance.

Act 1: The Color Purple, black women, and art as worship

When in NYC I make sure I to make time to see my daughter and to see a show. Bonus points if she and I can go together and this time it was to see and listen to Cynthia Erivo and Jennifer Holliday in “The Color Purple”. The final show is January 8 so if you have the time and $$ to see the show, do it. It’s worth it.

Despite #oscarssowhite, Hollywood and Broadway and creative spaces in between remain predominantly white spaces. Universal stories are portrayed through the acting, voices and creative direction of white people. Yes, it’s changing. Yes, I’ve heard of Lin-Manuel Miranda. Yes, I’ve also heard of Shonda Rhimes. Yes, it’s changing AND there is A LOT of catching up to do.

When I am in new public spaces I tend to look around and observe who is and isn’t in the room where I happen to be. Unlike some people, I am not colorblind so I took note that the audience for the matinee was diverse with as many, if not more, people of color in attendance. Why does that matter? Because it’s easier to stereotype POC as being poorer, less-educated, less likely to attend musical theater, etc. than to ask “Why are not more POC making it a priority to see live theater?” when n reality it’s much more complex.

Back to the musical. I wasn’t sure what to expect in terms of the staging of a story I had first seen on the big screen, but in the end I was left with the experience of having been at church. Some attendees were there for the spectacle of it all (like the white man seated on the main floor, center orchestra, who whipped out his cellphone to take a photo or video of Ms. Erivo singing like no one was going to notice. Ms. Erivo noticed, called him out publicly, and went on without missing a beat. Did the man not read the program or understand the announcement?) while others were there hungry to connect.

If you aren’t familiar with the story, you can read the book or watch the movie. I highly recommend it because as we creep towards inauguration day it’s a good reminder of what history has demanded of black women – their strength, perseverance, bodies and hearts. I sat there thinking of the black women in my life who have graciously shared their lives with me IRL and through social media. The Color Purple isn’t a story about the magical negro who comes to save and touch the life of a white person. It’s the story of black women being themselves – happy, loving, angry, confused, hopeful, faithful, petty, and fully human finding themselves in their own skin and soul.

And it was in the voices of Celie, Nettie, Sofia and Shug Avery I went to church, which was important for me because it has been a long summer/fall without consistently being at church. The irony and subversive nature of non-black audience members giving the all-black cast a standing ovation for singing and dancing about the pain and beauty of post-slavery life in the South weeks before DJT was elected as #PEOTUS (#notmypresident) should not be lost. It’s exactly that tension that has made attending church regularly such a losing struggle as of late, but there I was, on Broadway, in church wrestling with God about injustice, violence against women, love, sisterhood, motherhood and the silencing of women, particularly black women not only in the church but in history.

If musical theater can communicate good news, what is the Church missing in its gospel expressions?

Act 2: Hamilton, white women, and subversive art

At a much higher price point was seeing “Hamilton” in Chicago with the family as part of our Christmas gift. As the children are in their teens and 20s stuff is less prominent on their wish lists. They don’t want toys. They want gas money. They want money for an extra plane ticket. They want a dog. They will never get a dog so we are now in the second year of going to see live theater together as part of Christmas. Lucky for them I sat patiently on two computers, one phone and one iPad to get through the online ticket queue.

The audience was less diverse though I suspect the commercial success of this production lends itself to its broader appeal in terms of ethnic/racial diversity and age. There were many, many more younger audience members who wanted to see U.S. history via rap battles and F-bombs. Other than pure commercial success drawing a whiter and younger crowd is my theory that Alexander Hamilton’s story, though actually one of an immigrant, bastard, son of a whore, is considered more universal than that of Celie’s. I would argue both tell important “American” stories through a specific social locations and constructs that are equally important, but a diverse cast that also includes white people rapping, stepping, and pirouetting is an easier sell even to my teen sons.

But again, I was drawn to the women. I wanted to know more about Eliza and Angelica – their sisterhood, their strength and resilience. I wanted to know how a woman forgives her husband not only for encouraging stupidity (the duels) but also for adultery. It also made me think of how ridiculous our collective sense of morals actually is as we saw the show after Nov. 8 and after the US watched Hillary Clinton be held accountable for her husband’s infidelity while Donald Trump’s three marriages and comment about sexual assault went broadly ignored.

I also loved Lin-Manuel Miranda’s subversiveness – casting of diverse actors to embody historically “white” people, using hip hop and rap to teach U.S. history, and choreography that includes classical, modern and hip hop dance to move not only people but inanimate objects (note “The Bullet” if you go see this show). Art is not just something to consume for comfort, and if you really consider this show it should bother you because it is beautiful and profane. It puts a mirror up to our telling of history and essentially tells us we are fooling ourselves.

Act 3: Allegiance, Asian American women, and Asian American art

There was an Asian American actor in Hamilton, but it wasn’t until the final musical theater experience of the year where my family saw a full stage/screen of faces that looked similar to mine. We took the boys to see a filmed production of the stage musical “Allegiance” at a local theater. Again, this is part of our commitment to our children to give them experiences and exposure to the arts, especially when the story is told by and through the lens of other Asian Americans.

The Japanese Internment isn’t a lesson I recall spending much time on in U.S. history, and my children remember learning about it but briefly. It’s taught in a similar manner as the genocide of Native Americans and slavery. It was a very bad thing that happened but it’s over so let’s get over it. Surely the U.S. government and its true citizens would never let something like genocide, slavery or the incarceration of its own citizens because they looked like the enemy ever happen again…unless it was absolutely necessary.

But until there is some sort of guarantee there will not be a Muslim registry ever, ever, ever there are a lot of lessons in Executive Order 9066. If you think about it, the internment/incarceration was a little bit like taking the things we should’ve learned from genocide and slavery but didn’t and then creating this new thing that waves its hand at the past from the train platform. If you look like the enemy it’s perfectly legitimate to demand you give up everything, including your humanity, for the greater good. You lose your home, your businesses, your humanity in order to prove your worth. And while you are at it, you will work for nothing with no promise of freedom.

And we will call it “camp” so it doesn’t sound so bad. I hear a lot of people really love going to camp.

This is why we took our children despite their lack of enthusiasm. We do not assume they will learn these things at school, connect these dots and apply them to our current situation. My husband and children are American-born citizens. Birthright citizenship for non-whites didn’t matter in the 1940s. That’s why seeing this mattered now.

My dear white readers, you cannot know the power of seeing the big screen full of people who look like you and your family when that is all you know. Hollywood and television. Children’s story books. Cartoons and super heroes. All white, though slooooowly changing, even when it’s a universal story about “America”. Television now has “Fresh Off the Boat” but there really hasn’t been anything on the big screen since “The Joy Luck Club” where our stories were also universal stories.

“Allegiance” is written, produced, and acted by Asian Americans and for me it was powerful because again it was the women – the story of Japanese and Japanese American women, whose stories have disappeared into the background, who kept the families together as well as organized and resisted despite being incarcerated with no due process. It was Kei, played by Lea Salonga, whose ghost connects the past life before and during the Japanese incarceration to the present where her brother Sammy, played by Telly Leung and George Takei, pushes away the memories. Kei lives in the generational and cultural gap by honoring her family while still learning to be the nail that sticks out in order to honor & protect her people and ultimately it is her choices that sets in motion an opportunity to remember and forgive.

And as we are days away from Christmas where my fellow Christians and I celebrate the birth of Jesus, I am once again reminded that women and our stories cannot be relegated the background. We are part of the narrative.

 

 

Thoughts on “The Making of Asian America” & What I Didn’t Learn in School

It’s still May, the month of my people, and I am late to the game with my thoughts after reading Erika Lee’s The Making of Asian America.

If you are Asian American you should read the book. It covers generations of Asian, American history that will teach you what our school textbooks didn’t and what our family stories couldn’t due to gaps in language, culture, information, and access.

If you aren’t Asian American you should read the book. It covers generations of American history that will teach you what our school textbooks didn’t, mainly that Asian Americans have been a part of U.S. history since the 1500s.

For example things I didn’t learn in school:

  1. During the Japanese internment the government enacted a loyalty review program where draft-age males were asked if they would be willing to serve in combat duty with the US armed forces and if they would be willing to “swear unqualified allegiance to the United States of America.” (p. 238) Our government incarcerated them and then asks them to prove their loyalty by using them in combat. (Oh, and why weren’t Germans rounded up and incarcerated?)
  2. U.S. Census data confirms Asian Americans are overrepresented on both ends of the educational and socioeconomic spectrum of privilege AND poverty. (p. 376)
  3. Did you learn about the Black Panthers in school? How about I Wor Kuen, the largest revolutionary organization aligned with the Black Panther movement.
  4. African Americans weren’t the only ones who were prohibited from giving testimony in cases involving a white person. Chinese immigrants and Native Americans also could not be believed. (p. 92)
  5. South Asians who had been naturalized citizens were also denaturalized in the 1920s. (p. 172)

I recall learning a little bit about the Korean Conflict, the Japanese Internment, and the Vietnam War. I don’t know about you but those were the units that made me a bit uncomfortable as one of the few if not only Asian American in the classroom when these were being discussed because when you’re one of a few if not the only one in the classroom people look at you like you were the reason America went to war when really America’s best interests were to go to war which included everyone in that room. And it was as if those history units gave the racist classmates permission to say ugly, unAmerican things to me.

The book made me stop to think about what I knew and thought I knew about my family’s immigration story and how that has impacted my understanding of who I am, uniquely and powerfully created in God’s image. It made me consider how I have too often been quick to judge my parents’ generation for a litany of wrongs without fully understanding the context of their journeys both here in the U.S. and “home” in the motherland. It made me think about how their stories and they themselves too are created in God’s image. Lee’s book reminded me that I ought to be quick to listen and slow to speak, especially when it comes to understanding how my parents’ and earlier generations’ stories are also part of God’s story.

The book was also published to commemorate the 50th anniversary of the passage of the Immigration and Nationality Act of 1965, the very piece of legislation that made it possible for me and my family to immigrate to the U.S. in 1971. History I had not learned in school is what made it possible for me to read this book and write this blog in English while still connecting to my Korean roots knowing what it means to be an alien, a stranger in a foreign land even when I am “home.”

Towards the end of the book there were two quotes that comfort and challenge me as one who sits in the tension of privilege as a college-educated upper middle-class, heterosexual, cisgender, married, and documented & naturalized citizen and racism and sexism I experience as a Korean American woman in Christian/evangelical circles.

“Historian Franklin Odo argues that the model minority label ‘encourages Asian Americans to endure contemporary forms of racism without complaint and to provide brave and loyal service above and beyond that required of other Americans.’…

Musician Vijay Iyer goes further: privileged and unquestioning Asian Americans have become ‘complicit’ in their acceptance of ongoing American inequality.” The Making of Asian America, Erika Lee p. 380.

For my dear Asian American readers, what are your stories of enduring, swallowing, dismissing, forgetting racism and how has that impacted the way you engage with contemporary justice movements? Do you see yourself as complicit in the ongoing American inequality? What are the ways in which you question inequality?

For my dear non-Asian American readers, what behaviors and beliefs might you need to reconsider as you learn about Asian American history and the ways in which the United States’ past greatness was built on racism? How might you also be complicit in the the ongoing American inequality? What are the ways in which you question inequality?

And for my readers of all racial and ethnic backgrounds who share the intersection of Christian faith, how does Jesus challenge our understanding of persecution, persecuting, and systemic injustice?

 

 

Becoming Asian American

Dear Readers,

This isn’t a well-thought out post. Think of it as a blogger’s version of James Joyce’s Ulysses – a book I read and studied in college in a class I almost failed.

It wasn’t until college I had ever considered myself an Asian American. I grew up Korean American. Some days more Korean than others, some days resenting the Korean I wore on my face, carried in my name, emitted from the smells of my home. Some days I was American when I allowed people to mispronounce my last name up until I headed off to college, when I argued with my parents for the privilege to attend a school dance, when I embraced my teenage angst that was more foreign to my parents than the English language.

I was Korean. I waited in school to learn about the Korean War during U.S. History and was confused when it was a passing mention as a “conflict.” I knew my grandmother had a Japanese name because she was alive during the Japanese occupation of Korea. I knew the significance of the Chinese characters used in my Korean name. I was not “Asian” because the common thread of geography and religion did not trump the distinct histories and culture.

I don’t actually have a great analogy, but the closest I could come up with has to do with friends who grew up in different parts of the country. You aren’t “just” a Californian. You are from LA or San Diego or Orange County, and friends have explained the importance of the distinctions. You aren’t “just” from New York because the boroughs are unique and distinct, and don’t get me started with upstate. I was a Chicago northsider until I moved to the burbs. And anything south of Chicago was southern Illinois, aka farmland.

But I got to college and “we” were lumped together, which was actually strangely comforting because there were so few of “us” with no spaces for us, no classes for us, and maybe no awareness we could be an “us” or “we” to request, expect, demand a say and a presence though that did come later. Everyone complained about the Asian teaching assistants and professors who spoke with heavy accents and were tough graders. I never actually interacted with any of those TAs or profs because I was a journalism major. Instead, I had journalism professors ask me where I learned my English, comment on my “almost” accent-free English (what?!), and ask me where I was from. “No, really, where are you from?”  

My freshman year roommate asked me if she could borrow some of my clothes for rush and asked me if I was going to go Greek. I had absolutely no idea what she was talking about. It wasn’t until she explained sororities and fraternities did I laugh in her face and tell her to wash whatever she borrowed and return it in the same condition as she found it in my closet. She didn’t understand that system wasn’t set up for people like me. She didn’t see it as a racialized system. Never mind the black sororities and fraternities on campus, which again I had to learn were a different system entirely. And being in the Midwest the Asian American Greek houses had not yet made their way over.

I’ve said this before. It’s difficult to “see” things as racist or racialized when the systems have always been designed and created for the success and flourishing of white people – even as the category of “white” evolves.

And in the evolution of whiteness, “Asian America” is also not included. We are perpetual foreigners, lumped together for the convenience of a culture and country that doesn’t want to bother with uniqueness even as we Americans revel in our unique place in history. The term Asian American erases the need to explain the difference between East Asian and South Asian and Southeast Asian. It means a false narrative to success and erasure. Why learn about the Japanese internment during WWII when it didn’t really impact all Asian Americans? Why learn about the Chinese Exclusion Act because Chinese aren’t Americans, right? Why talk about Vietnamese, Laotian, Hmong refugees to America because that doesn’t fit into the Model Minority label? Why complicate things? Even the label of “Model Minority” reminds me of my “otherness” and our success in relationship to our behavior that is measured by the majority culture’s standards – white culture standards.

It’s always worth mentioning. Asian Americans are not white. Even when we don’t appear in stats. Even when we are called, or call ourselves, the model minority. Even when the conversations about race don’t include us, Latinos, or Native Americans. Why does that matter? Because right now #blacklivesmatter and I support the need to focus attention on what has been ignored because, quite frankly, I know as a Korean American who became Asian American, I know what it’s like to be ignored, erased, silenced.

It’s Easy to Forget Privilege When It’s Always Been Yours

I’m tired of reading blogs from my White Christian brothers about why they are choosing to vote. There. I said it.

I’m all for being a part of the democratic process, but it seems a bit odd to me that so many of these bloggers are coming from a position of power and privilege they themselves have always had. It seems a bit arrogant to choose something that was always theirs.

The way I see it, they had better vote. The vote of the White male is what finally allowed people like me – a woman, an immigrant, a non-native English speaker – to have the right to vote. I didn’t have a voice. I didn’t matter. Neither did my ancestors, who immigrated here under quota systems developed by people in power for the benefit of the country and the powers-that-be.

And there still are people who have no voice, who have no right to vote, but they are directly impacted by the politicians, referenda, judges, and local officials as well as the “agendas and policies”. As a Christian who is new to the process, its a privilege and responsibility I don’t take lightly because it isn’t a given. I’m not American born. We are not post-racial America, and the fact of the matter is the church isn’t either. We are working on it, but we aren’t there.

Did you know that in 1882 Congress passed the Chinese Exclusion Act denying citizenship and voting rights to Chinese Americans? Yup, they can build the railroads but they can’t vote.

It wasn’t until 1920 that the Nineteenth Amendment is ratified giving women the right to vote, but in 1922 the Supreme Court rules that a person of Japanese origin is barred from naturalization, effectively shutting Japanese men and women out from the democratic process. The same happens in 1923 to Indian immigrants.

In 1941, U.S. citizens of Japanese descent are rounded up and interned in 10 concentration camps here in America under executive order 9066. It isn’t until 1952 that first generation Japanese Americans have the right to become citizens.

In 1943 The Chinese Exclusion Act is repealed, giving Chinese immigrants the right to citizenship and the right to vote, and in the same year Koreans in the U.S. are declassified as enemy aliens.

In 1946 Filipinos are granted the right to become U.S. citizens.

And all of these important moments in history did not include the voting rights of people like me. It’s easy to talk about whether or not you are going to vote when the privilege has always been yours without question.

So vote. Do your homework. Check out the ballot. Find out what your state or local bar association has to say about the judges who want to stay on those benches. Read the annoying brochures and check out what the entire article the candidate quoted actually said.  There are more than two names on the ballot for president, btw.

Yes, the political ads are annoying. The robo-calls are a nuisance. Turn off the tv. Turn down your ringer or shut the phone off for awhile. Ask your kids what they think of the process; I learned a lot by listening to what my three kids were hearing in the hallways!

I haven’t answered any of the phone calls from unknown phone numbers, but I did appreciate the one and only message left for our household. She was a community organizer getting out the vote for her candidate. She reminded me about Election Day and about the importance of voting as U.S. citizens – all in my native tongue.

How perfectly American indeed.